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Alex Cann's Weekly Film Blog - 2nd July

If you watch one film this week, I'd recommend I Am : Celine Dion, which was released on Amazon Prime Video in late June. It's a searingly honest look at the superstar's battle with Stiff Person Syndrome, which is so rare it only affects one in a million people.

It's heartbreaking to watch Dion trying over and over again to lay down a new track in the studio, as her voice cracks and her body refuses to comply with her passion to sing. We watch her mental torment first hand, and I'll not hear the recent song Love Again in the same way again. As Celine herself says, singing is all she's ever known, and I can't imagine what it must be like to have that taken away, and effectively be a hostage to your own body's breakdown. No amount of wealth or material possessions (including a staggering amount of shoes!) can provide any consolation.

We see flashbacks of huge world tours gone by, but much of the focus is on now, following Dion's official diagnosis in 2022 (she first experienced symptoms back in 2008). She comes aross as open, honest, kind, and respectful towards her fans. I hope she knows she's let no-one down. Even if you're not a fan, this is a superb, candid film.

Bikeriders is best described as solid, steady and quite violent, and whilst memories of it will ride off into the sunset after you leave the cinema, it's certainly enjoyable. The cast make it special, in particular Jodie Comer as Kathy, who is drawn to biker Benny (Austin Butler), who is a member of a Midwestern motorbike club run by Johnny (Tom Hardy). All three actors are at the top of their game. Comer's accent is flawless, unlke Stephen Graham's faltering Scouse-American hybrid in the second Venom movie which was on Channel 4 recently.

The Vandals quickly evolve from a small town friendly club into something far more sinister and violent, and as things spiral out of control of its original founders, Benny has to make a choice between Kathy and the club. The ending is not a big surprise really, there are no huge twists, and there isn't that much action really. Having said all that, the cast definitely make up for some shallow characters and thin plotlines, evoking some of the smouldering on-screen swagger of James Dean and Marlon Brando.
 
Also this week, I rewatched the Bafta award-winning film Pride on its tenth anniversary, which has been back on the big screen at selected cinemas. It's a joyous, uplifting film about standing up against oppression, and an unlikely alliance between a group of gay friends and striking miners in 1984. Lots of humour, and it's aged pretty well I think. Political without being preachy, and a call for oppressed groups to use their voice and stand together. Matt Lucas was recently asked on Twitter "when are we holding straight Pride parades?", to which he replied "when people get killed for being straight".

More from Alex Cann's Weekly Film Blog

  • Alex Cann Film Column - 20th March 2025

    There are some pretty decent offerings this week, beginning with the taut, twisty spy thriller Black Bag. Michael Fassbender and Cate Blanchett lead a strong cast in this tale of subterfuge, loyalty, double-crossing, and gameplaying. It's a neat entry into my 'decent films lasting no more than 90 minutes' list, as George Woodhouse (Fassbender) is tasked with finding a mole within their spy circle. Unfortunately for him, one of the possible suspects is his wife Kathryn (Blanchett). Will he put his job before his marriage?

  • Alex B Cann Film Column - 13th March 2025

    Marching Powder is a contender for the worst film of 2025 so far for me. Danny Dyer plays Jack Jones, an ageing, down-on-his-luck football hooligan whose marriage is on the rocks as his life spirals out of control. The biggest wonder is that Dani (Stephanie Leonidas) sticks around past the opening scenes. In my book, this is certainly not a film to rush to see on the big screen.

  • Alex B Cann Film Column - March 6th 2025

    I was fortunate enough to catch a preview screening this week of Flow, the Oscar-winning Latvian animation about a solitary cat caught up in a raging flood and forced to team up with other animals to try and survive the torrent. There's not a single word of dialogue, but this is a mesmerising watch from start to finish. An unlikely alliance is forged between the cat, a capybara, a dog, and a secretary bird, and the film leaves us thinking about climate change, living in the moment, and survival. Clever stuff, and it proves that sometimes you don't need a wordy script to move cinema audiences.

  • Alex Cann's weekly film blog - 9th January

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  • Alex's Weekly Film Blog - 31st October

    With it being Halloween week, it's worth mentioning that horror has had a rather lucrative year at the cinema, with movies such as The Substance, Terrifier 3 and Smile 2 all delighting audiences and smashing their budgets at the box office.

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