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Alex's Weekly Film Blog - 17th October

There's often a debate about whether Die Hard is a Christmas movie. In my book, it absolutely is. It contains four Christmas songs in the soundtrack, the action takes place at a Christmas Eve office party, and both the director and scriptwriter say it is a festive movie.

However, YouGov carried out a poll in 2022, which found a disappointing 37% of the British public believe the 1988 classic is a Christmas film.

Fast forward to 2024, and I really hope Terrifier 3 isn't one that your children stay up to watch before Father Christmas arrives. I went to see it at a mystery horror screening at Odeon last week, and having not seen the first two movies in the franchise, was a bit worried I might get lost in the plot, These concerns were ill-founded, it turns out. There's just gore, really. A lot of gore.

One scene involving a shower and a chainsaw is partiularly memorable, but to be honest the blood splattered moments begin from the film's opening minutes. Art the clown makes Pennywise in It look quite cuddly in comparison, as he takes over a department store's grotto and starts handing out presents to unsuspecting children.

The bottom line is that this was a very entertaining watch, although I can't imagine wanting to see two more to complete the trilogy. There is even a neat set-up for a sequel at the end of this one, so I wouldn't rule out a return for Art in the future. There are some neat flourishes of dark comedy amongst the bloodletting, and this is styled very much like an 80s slasher you might have rented from Blockbuster's top shelf back in the day. You also end up asking yourself the question - exactly why am I watching this, and should I feel guilty about finding it quite entertaining? Maybe I'm reading too much into it, but I think one daliance with this clown is qui enough for my constitution, thank you.

The figures speak for themselves though. Made on a budget of two million dollars, it took an eye-popping $18.3 million in its opening weekend in America. I doubt the makers of Joker are very amused, given the flop they have on their hands. Given the choice, I'd choose to spend a couple of hours with Arthur Fleck, not Art, but it seems I'm in the minority. Be warned, you might need a sick bag on standby.

I've not left much room for Salem's Lot or Transformers One, but in short both were pretty good. Transformers is a return to the 1986 animation style, which featured actual Orson Welles, and this is a big improvement on the recent live action films. Salem's Lot is good but not great, and doesn't overly rely on jump scares, whilst feeling authentically mid-70s. Subtle horror, and a reasonable alternative if vampires are more your thing this Halloween, rather than killer clowns. It's a bit longer than needed, though, as is so often the case nowadays.

More from Alex Cann's Weekly Film Blog

  • Alex Cann Film Column - 20th March 2025

    There are some pretty decent offerings this week, beginning with the taut, twisty spy thriller Black Bag. Michael Fassbender and Cate Blanchett lead a strong cast in this tale of subterfuge, loyalty, double-crossing, and gameplaying. It's a neat entry into my 'decent films lasting no more than 90 minutes' list, as George Woodhouse (Fassbender) is tasked with finding a mole within their spy circle. Unfortunately for him, one of the possible suspects is his wife Kathryn (Blanchett). Will he put his job before his marriage?

  • Alex B Cann Film Column - 13th March 2025

    Marching Powder is a contender for the worst film of 2025 so far for me. Danny Dyer plays Jack Jones, an ageing, down-on-his-luck football hooligan whose marriage is on the rocks as his life spirals out of control. The biggest wonder is that Dani (Stephanie Leonidas) sticks around past the opening scenes. In my book, this is certainly not a film to rush to see on the big screen.

  • Alex B Cann Film Column - March 6th 2025

    I was fortunate enough to catch a preview screening this week of Flow, the Oscar-winning Latvian animation about a solitary cat caught up in a raging flood and forced to team up with other animals to try and survive the torrent. There's not a single word of dialogue, but this is a mesmerising watch from start to finish. An unlikely alliance is forged between the cat, a capybara, a dog, and a secretary bird, and the film leaves us thinking about climate change, living in the moment, and survival. Clever stuff, and it proves that sometimes you don't need a wordy script to move cinema audiences.

  • Alex Cann's weekly film blog - 9th January

    A mix this week of stuff that I watched over the festive season and a couple from this week, to start another year of movie watching!

  • Alex's Weekly Film Blog - 31st October

    With it being Halloween week, it's worth mentioning that horror has had a rather lucrative year at the cinema, with movies such as The Substance, Terrifier 3 and Smile 2 all delighting audiences and smashing their budgets at the box office.

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