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Alex's Weekly Film Blog - 28th May

Having seen almost fifty films on the big screen so far this year, I feel like I'm doing my bit to keep the lights on at the cinema. This week, it was announced selected Cineworld outlets have scrapped their 'VIP Lounge' offer,

Anecdotally, I still don't feel as though audience numbers have returned to pre-pandemic levels, although I've not got the figures to corroborate this theory. Admittedly, I often go to see films at strange times, but I don't think the cinema is as packed as it used to be.

I'm not a big fan of three course meals being served to your sofa, as happened at a swanky venue in Harrogate we visited last year. An adjacent lady spent most of the movie quaffing red wine, scoffing pizza and I think she might have even had a cheeseburger during the end credits. No judgement from me, but I prefer to concentrate on the film, Although I won't say no to a small salted popcorn topped with M&Ms if you're buying.

One factor that hasn't helped is the speed at which films reach streaming services. The window between cinema release and on demand has been significantly narrowed. The pandemic didn't help either, with folk getting used to watching films on their sofa whilst scrolling through social media. CIneworld closed for a torturous 32 weeks!

There have been exceptions to the narrow streaming window, with Matilda not hitting Netflix as anticipated in time for Christmas 2022, sparking a flurry of indignant tweets. Some Disney films like Soul recently got a belated cinema release, after missing out during lockdown. But generally, the pattern seems to be that films are available to watch at home pretty quickly, compared to the days of Blockbuster Video. Be kind, rewind!

So what can be done? The axing of the VIP service at Cineworld suggests customers don't want to shell out £25 for unlimited food and drink, yet the venue we went to in Harrogate with swanky sofas seemed to be flourishing. I'd bring back the intermission for one thing. Cinemas got ticked off for adding one during Killers Of The Flower Moon without prior permission, as it violated the distributor's strict terms. When you get to a certain age, a comfort break is very welcome, frankly.

Perhaps more classics could be shown? I'd also love big cinema chains to be bolder with their programming, and take a chance on smaller movies, rather than just showing big sequels and endless superhero films In addition, not a lot seems to be coming out at the moment, which might be a delayed effect of the writers' strike.

What would tempt you back? A phone ban? Cheaper prices? I'll have reviews of Garfield and Sting next week.

More from Alex Cann's Weekly Film Blog

  • Alex Cann Film Column - 26th March 2025

    There's only one film everyone is talking about this week, and I'm pretty sure a lot who are attacking it most vociferously haven't even watched it. Disney's Snow White stars Rachel Zegler and Gal Gadot, and I went to see it with an open mind. Whilst you could absolutely make the case that it's a remake that doesn't need to exist, you could say the same about everything from Moana to the Lion King (and this was better than those).

  • Alex Cann Film Column - 20th March 2025

    There are some pretty decent offerings this week, beginning with the taut, twisty spy thriller Black Bag. Michael Fassbender and Cate Blanchett lead a strong cast in this tale of subterfuge, loyalty, double-crossing, and gameplaying. It's a neat entry into my 'decent films lasting no more than 90 minutes' list, as George Woodhouse (Fassbender) is tasked with finding a mole within their spy circle. Unfortunately for him, one of the possible suspects is his wife Kathryn (Blanchett). Will he put his job before his marriage?

  • Alex B Cann Film Column - 13th March 2025

    Marching Powder is a contender for the worst film of 2025 so far for me. Danny Dyer plays Jack Jones, an ageing, down-on-his-luck football hooligan whose marriage is on the rocks as his life spirals out of control. The biggest wonder is that Dani (Stephanie Leonidas) sticks around past the opening scenes. In my book, this is certainly not a film to rush to see on the big screen.

  • Alex Cann's weekly film blog - 9th January

    A mix this week of stuff that I watched over the festive season and a couple from this week, to start another year of movie watching!

  • Alex's Weekly Film Blog - 31st October

    With it being Halloween week, it's worth mentioning that horror has had a rather lucrative year at the cinema, with movies such as The Substance, Terrifier 3 and Smile 2 all delighting audiences and smashing their budgets at the box office.

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